{"id":4661,"date":"2018-07-03T11:27:24","date_gmt":"2018-07-03T15:27:24","guid":{"rendered":"http:\/\/unoportartfilms.org\/?p=4661"},"modified":"2022-04-08T07:19:46","modified_gmt":"2022-04-08T11:19:46","slug":"%e6%81%8b%e3%81%a8%e3%83%9c%e3%83%ab%e3%83%90%e3%82%ad%e3%82%a2","status":"publish","type":"post","link":"https:\/\/unoportartfilms.org\/en\/archives\/4661","title":{"rendered":"Love and Wolbachia"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4669\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_1.jpg\" alt=\"wolbachia_1\" width=\"980\" height=\"653\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_1.jpg 980w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_1-300x200.jpg 300w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4670\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_2.jpg\" alt=\"wolbachia_2\" width=\"980\" height=\"594\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_2.jpg 980w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_2-300x182.jpg 300w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4671\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_3.jpg\" alt=\"wolbachia_3\" width=\"980\" height=\"654\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_3.jpg 980w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/wolbachia_3-300x200.jpg 300w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4823\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/lw_pc_en.jpg\" alt=\"lw_pc_en\" width=\"616\" height=\"17\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/lw_pc_en.jpg 616w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/lw_pc_en-300x8.jpg 300w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/p>\n<p>A new film by young Japanese documentarist Sayaka Ono (a disciple of the legendary Kazuo Hara), whose debut feature and self-documentary \u201cThe Duckling\u201d made a sensation in Japanese doc world (screened at UPAF 2011). Love and Walbachia is a tapestry of lives and feelings of love of various sexual minorities &#8211; intersex, transgender, lesbian, and transvestite people in Japan, shot from a sensitive distance. While \u201cspeaking nearby\u201d the others (borrowing Trinh T. Minh-ha\u2019s words) and showing us the vagueness and confusingness of gender, love, dreams, happiness, and life struggles that differ from a person to person, the film also questions the meaning of being women in Japan. Walbachia in the title is a type of symbiotic bacteria which shifts the gender of its hosts. Produced by Yoshiko Hashimoto of Fake (dir: Tatsuya Mori) and Ryuichi Sakamoto: CODA. Okayama Premiere.<\/p>\n<p><strong>Director, Camera, Edit: Sayaka ONO. 2017, 94min., digital video, color, Japan. Documentary. With English subtitle.<\/strong><\/p>\n<p>Trailer w\/ English sub<\/p>\n<p><iframe loading=\"lazy\" title=\"\u604b\u3068\u30dc\u30eb\u30d0\u30ad\u30a2\u4e88\u544a\u7de8\uff08\u82f1\u8a9e\u5b57\u5e55\u4ed8\u304d\uff09\" src=\"https:\/\/player.vimeo.com\/video\/280983786?h=180e338cdd&amp;dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><strong>Official site: <\/strong><br \/>\n<a href=\"http:\/\/koi-wol.com\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/koi-wol.com<\/a><\/p>\n<p><strong>Screening Date\/Time<br \/>\nTokyo: Sun, July 29, 16:00~<\/strong><\/p>\n<div><strong>Okayama:\u00a0<\/strong><\/div>\n<div><strong>Saturday, August 4, 20:30~ Skype Q&amp;A with Director Sayaka Ono &amp; one of the characters in the film: Takaaki Ido (Director of Pubsense Inc., magazine editor, moving image production)<br \/>\n<\/strong><\/div>\n<div><strong>Sunday, August 5, 14:00~\u00a0Skype Q&amp;A with Director Sayaka Ono &amp; one of the characters in the film: Prince (The Coven Girls)!<\/strong><\/div>\n<div><\/div>\n<div><\/div>\n<p><strong>Sayaka Ono: Director, Camerawoman, and Editor<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-4872 alignright\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/Sayaka-10percent.jpeg\" alt=\"Sayaka 10percent\" width=\"506\" height=\"337\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/Sayaka-10percent.jpeg 576w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/Sayaka-10percent-300x200.jpeg 300w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/>Born in 1984. Film and TV director. In 2005, she made a feature-length self-documentary The Duckling as a thesis film for Japan Institute of the Moving Image with Kazuo Hara producing and overseeing the production, which explored her own relationship with her family tackling their dark sexual-abuse and religious past. She had to wait many years to get family members\u2019 consents, and the film was opened in theatres in 2010. As a TV director, her work includes: Genpatsu Aidoru (literal translation: Nuclear power plant Idols, 2012, the 50th Galaxy Award Honorable Mention); Bokutachi Onnanoko (literal translation: We boys are girls, 2013), both for Fuji TV\u2019s NONFIX. She also served as Camerawoman for a feature film Tonaru hito \/Never Let Me Go (2012, dir. Kazuya Tachikawa). While working for TV production, she continues to create her own documentary films.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in \u65e5\u672c\u8a9e.<\/p>\n","protected":false},"author":1,"featured_media":4669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,153,154],"tags":[],"class_list":{"0":"entry","1":"post","2":"publish","3":"author-moie","4":"has-more-link","5":"post-4661","7":"format-standard","8":"has-post-thumbnail","9":"category-archives","10":"category-153","11":"category-2018-feature-films"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts\/4661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/comments?post=4661"}],"version-history":[{"count":38,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts\/4661\/revisions"}],"predecessor-version":[{"id":5411,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts\/4661\/revisions\/5411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/media\/4669"}],"wp:attachment":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/media?parent=4661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/categories?post=4661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/tags?post=4661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}