{"id":5081,"date":"2018-07-27T09:51:13","date_gmt":"2018-07-27T13:51:13","guid":{"rendered":"http:\/\/unoportartfilms.org\/?p=5081"},"modified":"2022-04-08T07:24:15","modified_gmt":"2022-04-08T11:24:15","slug":"english-%e5%84%aa%e9%9b%85%e3%81%aa%e3%82%a4%e3%83%b3%e3%83%89%e3%81%ae%e5%9b%bd%e3%80%85","status":"publish","type":"post","link":"https:\/\/unoportartfilms.org\/en\/archives\/5081","title":{"rendered":"The Amorous Indies \/ Les Indes gallants"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5082\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/the-amorous-indies2.jpg\" alt=\"the-amorous-indies2\" width=\"1024\" height=\"576\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/the-amorous-indies2.jpg 1024w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/the-amorous-indies2-300x169.jpg 300w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/the-amorous-indies2-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Illinois performed by Michigamea chiefs, in Paris in 1725.<\/p>\n<p>Cle\u0301ment Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the death of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body.<\/p>\n<p>Both the tribal dance performed in Paris in 1725, and the rebellious Krump dancers of the 1990s shape a reenactment of Rameau\u2019s original libretto, staging young people dancing on the verge of a volcano.<\/p>\n<p>Director: Cl\u00e9ment Cogitore. 2017, 6min., HD color, France. Experimental. No dialog.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5083 alignright\" src=\"http:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/Clement-Cogitore.jpg\" alt=\"Clement Cogitore\" width=\"333\" height=\"495\" srcset=\"https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/Clement-Cogitore.jpg 700w, https:\/\/unoportartfilms.org\/wp-content\/uploads\/2018\/07\/Clement-Cogitore-202x300.jpg 202w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><\/p>\n<p>Clement Cogitore (1983, France) lives and works in Paris. After completing his studies at the Studio National des Arts Contemporains in Fresnoy he directed his first short film, CHRONIQUES (2006), and presented VISIT\u00c9S (2007) at the Locarno International Film Festival. The medium- length film AMONG US (2011) was awarded the European Grand Prize for a First Film in Vevey (Switzerland) and Best Film at the Belo Horizonte Festival (Brazil). Cogitore\u2019s documentary BIELUTINE &#8211; IN THE GARDEN OF TIME was selected for Quinzaine at the 2011 Cannes Film Festival. In 2015, his first feature fiction film, THE WAKHAN FRONT, premiered at La Semaine de la Critique in Cannes, where it won the Gan Foundation Award. It went on to screen at numerous festival and receive several awards.<\/p>\n<p>&nbsp;<\/p>\n<p>Interview:<\/p>\n<p>http:\/\/www.fipresci.org\/festival-reports\/2015\/cannes\/rationality-put-to-the-test<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Illinois performed by Michigamea chiefs, in Paris in 1725. Cle\u0301ment Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an &#8230; <span class=\"more\"><a class=\"more-link\" href=\"https:\/\/unoportartfilms.org\/en\/archives\/5081\">[Read more&#8230;]<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":5082,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,153,155],"tags":[],"class_list":{"0":"entry","1":"post","2":"publish","3":"author-moie","4":"post-5081","6":"format-standard","7":"has-post-thumbnail","8":"category-archives","9":"category-153","10":"category-2018-short-films"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts\/5081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/comments?post=5081"}],"version-history":[{"count":3,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts\/5081\/revisions"}],"predecessor-version":[{"id":5086,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/posts\/5081\/revisions\/5086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/media\/5082"}],"wp:attachment":[{"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/media?parent=5081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/categories?post=5081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unoportartfilms.org\/en\/wp-json\/wp\/v2\/tags?post=5081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}